Sirui 35mm T2.9 Carbon Fiber Anamorphic Lens
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Achieving that classic widescreen cinematic look just got a lot more portable.
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Our read on this product
This lens is built for filmmakers who want that distinct widescreen, cinematic look without the usual bulk of anamorphic setups. Its carbon fiber construction means it's incredibly light, making it genuinely useful for shots you just couldn't get with heavier lenses – think gimbals, drones, or even just handheld work where fatigue sets in quickly. You'll notice the blue flares and oval bokeh are pretty signature, adding a stylistic flair that's hard to replicate otherwise.
While it delivers that sought-after anamorphic aesthetic, it's worth remembering this is a specialized tool. It's designed to give you a specific widescreen field of view and visual effects, not to be an all-around versatile lens for every situation. The manual focus is precise, but it requires a deliberate approach, which is standard for cine lenses but a shift if you're used to autofocus.
What makes it stand out
- Its carbon fiber build makes it significantly lighter and smaller than other full-frame anamorphic cine lenses.
- Offers a 1.6x squeeze factor, providing a wider aspect ratio than many common 1.33x anamorphic lenses.
- Produces characteristic blue sci-fi flares and oval bokeh, distinct visual effects not found in standard spherical lenses.
When this isn't the right fit
- You primarily shoot stills and aren't interested in video production.
- You prefer the convenience of autofocus lenses.
- You need a lens for low-light situations beyond T2.9.
Real-world notes
- The blue lens flares are quite prominent and distinctive.
- It's surprisingly light, making it easy to handle on gimbals and drones.
- Achieving the perfect focus takes practice.
- The oval bokeh is a signature visual element.
Consider this if achieving a compact, high-quality anamorphic look for your video projects is your main goal.
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